Vision Festival

Chris Tobin / WBGO

Not many jazz musicians possess a scope as wide as Dave Burrell’s.

A pianist who first emerged during the late 1960s, in wild-and-woolly ensembles led by saxophonists Pharoah Sanders and Archie Shepp, he also has a firm grasp on the stride language of James P. Johnson and Fats Waller. His body of work as a composer includes operatic and chamber works — but he remains a fearless paragon of free improvisation, with peers like bassist William Parker and saxophonist David Murray.


Luciano Rossetti / Rossetti-Phocus

Dave Burrell attended his first Vision Festival in its fifth year, when it was held on St. Marks Place in the East Village.

"The atmosphere was charged," he recalls, describing the rugged immediacy of a space that had once housed the Electric Circus, a fabled psychedelic rock club. "Everyone was there, waiting their turn to perform. It was magical."

Peter Gannushkin

A bundle of discarded wood on a New York City sidewalk, and a piece of advice from a close friend, inspired the artist Cooper-Moore to become an inventor of instruments. In the 1970s, he was an integral part of the loft-jazz scene, along with his old college buddy, saxophonist David S. Ware. As Cooper-Moore explains in this Checkout podcast, he played the piano more than proficiently, but wanted to set himself apart further.