Robert Glasper

Why do hip-hop producers gravitate toward jazz samples? For a mood, for sonic timbre, for a unique rhythmic component. Swing is a precursor to the boom-bap. "If you're a hip-hop producer that wants a lot of melodic stuff happening," pianist Robert Glasper says, "you're probably going to go to jazz first."

For tens of millions in the Northeast, the name of the hour is “Stella” — as in Winter Storm Stella, the Weather Channel-branded nor'easter now bringing heavy snowfall to a number of cities along the I-95 corridor. I’m among those presently hunkering down (and later, shoveling out), but my first involuntary response was to start humming a familiar melody.

Kawai Matthews

Bilal makes headlines, whether he's performing a fiery (and most hilarious) tribute to Prince at the BET Awards, or making a cameo on Common's Black America Again tour. But forget all of the stage fireworks and politics for a moment. What makes this singer so great is his range — not just vocally, but also with his uncategorical Soulquarian goodness. He dirties up our definitions of sound, melding jazz, rock, soul, and R&B. This program features our own unique recording of Bilal with Igmar Thomas' Revive Big Band, as well as a recent collaboration with the LA-based producer Adrian Younge, In Another Life (2015).