Robert Glasper

NPR

Almost every era of jazz has its resident Blue Note crew: artists who embody the beating heart of that label’s sound.

Kendrick Scott opened his first set on Tuesday night, at the Jazz Standard in New York City, with a pensive new composition titled "Home." It had a bittersweet melody, a waft of dark harmony, and a beat defined both by chop and flow. "I'm just going to send this out as a meditation for everybody in Houston, Texas right now," said Scott, a drummer, as he introduced the tune.

Deneka Peniston

Keyon Harrold, “Wayfaring Traveler” (ft. Jermaine Holmes, Georgia Anne Muldrow and Robert Glasper)

If you saw the movie Miles Ahead, you may recall that Keyon Harrold was tasked with ghosting the trumpet playing — which meant not just persuasively invoking Miles Davis, but doing so in perfect sync with Don Cheadle’s embouchure and fingerings. This was an impressive feat, but no more so than The Mugician, Harrold’s forthcoming album, which finds him accountable to no one but himself.

Dennis Manuel/Courtesy of the artist

For those who haven't had the good fortune to attend a jazz festival this summer, Jazz Night has a ticket just for you — section A, row 1 for The Robert Glasper Experiment.

Why do hip-hop producers gravitate toward jazz samples? For a mood, for sonic timbre, for a unique rhythmic component. Swing is a precursor to the boom-bap. "If you're a hip-hop producer that wants a lot of melodic stuff happening," pianist Robert Glasper says, "you're probably going to go to jazz first."

For tens of millions in the Northeast, the name of the hour is “Stella” — as in Winter Storm Stella, the Weather Channel-branded nor'easter now bringing heavy snowfall to a number of cities along the I-95 corridor. I’m among those presently hunkering down (and later, shoveling out), but my first involuntary response was to start humming a familiar melody.

Kawai Matthews

Bilal makes headlines, whether he's performing a fiery (and most hilarious) tribute to Prince at the BET Awards, or making a cameo on Common's Black America Again tour. But forget all of the stage fireworks and politics for a moment. What makes this singer so great is his range — not just vocally, but also with his uncategorical Soulquarian goodness. He dirties up our definitions of sound, melding jazz, rock, soul, and R&B. This program features our own unique recording of Bilal with Igmar Thomas' Revive Big Band, as well as a recent collaboration with the LA-based producer Adrian Younge, In Another Life (2015).