Marcus Miller

Jure Pukl

The tune was familiar yet unfamiliar, an iconic object seen through a funhouse prism. It was “El Manisero,” the bedrock Cuban standard, refurbished with shadowy postbop harmony and a rolling montuno in 18/8 time. Portillo & Cauce was playing to a packed house at La Zorra y el Cuervo, one of the leading jazz clubs in Havana, and they couldn’t have sounded sleeker or more modern.