Jason Moran

Keystone / Getty Images

Dizzy Gillespie, “Long Long Summer”

I listened to hours and hours of Dizzy Gillespie over the weekend — not an unprecedented act, though it carried a little more purpose than usual. That’s because Gillespie, the immortal trumpeter, composer-bandleader and bebop progenitor, had his centenary on Saturday.

Steve Mundinger / Thelonious Monk Institute of Jazz

Thelonious Monk, the incomparably influential jazz composer and pianist, would have turned 100 today, and across the country, a healthy range of commemorative tributes is already underway. But the flagship event that bears his name has quietly been put on hold: the next Thelonious Monk International Jazz Competition, which at one point had been scheduled for this week at the Kennedy Center in Washington, will not happen in 2017.

Kendrick Scott opened his first set on Tuesday night, at the Jazz Standard in New York City, with a pensive new composition titled "Home." It had a bittersweet melody, a waft of dark harmony, and a beat defined both by chop and flow. "I'm just going to send this out as a meditation for everybody in Houston, Texas right now," said Scott, a drummer, as he introduced the tune.

Dorothy Darr

"I've got a pocketful of blues here still, you know?" says Charles Lloyd, the saxophonist-flutist-composer-bandleader who, at 79, has become one of jazz's enlightened elders.

Dorothy Darr

Saxophonist and flutist Charles Lloyd has led some rather spectacular bands over the years — from his heralded late-1960s quartet to the Marvels, his current group with guitarist Bill Frisell. Passin’ Thru, due out on Blue Note on July 14, captures the unique intensity of the Charles Lloyd New Quartet, a decade-long proposition with Jason Moran on piano, Reuben Rogers on bass and Eric Harland on drums. 

John Rogers

Take Five this week turns out to be a celebration of working bands — from the Bandwagon, led for more than a dozen years by pianist Jason Moran, to Natural Information Society, which bassist Joshua Abrams established not quite a decade ago. We'll also hear brand-new tracks by the Tomasz Stanko New York Quartet, a new-breed organ trio called Hearing Things, and the agile group led by bassist Linda May Han Oh.

Jazz Night in America: Muldrow Meets Mingus

Mar 23, 2017
Jason Moran (left) and Georgia Anne Muldrow celebrate Charles Mingus during a program at the Kennedy Center.
Jati Lindsay/Courtesy of the Kennedy Center

At a glance, Georgia Anne Muldrow isn't the obvious pick to create an interpretive tribute to the bassist and composer Charles Mingus. She was born in 1983, four years after Mingus died at 56. Her music stands well outside the jazz perimeter, aligning more with the Afrocentric current that flows through underground hip-hop, avant-R&B and psychedelic soul. She isn't a bassist like Mingus, but rather a singer, rapper and beat-making producer. Her village elders include the rapper Mos Def, the producer Madlib and the vocalist Erykah Badu.