Erroll Garner

Rob Davidson

“Erroll Garner had so much spirit when he played, so much joy, so much groove,” Michael Wolff recently told Michael Bourne. “That’s why I think he was such a successful pianist. No matter what he did — and he played really, for his day, very sophisticated outside harmonies — but everything he played swung.”

Wolff was at our Yamaha Salon Concert on what would have been Erroll Garner's 94th birthday. He played both in a solo stride vein and with a swinging trio, and both performances were filmed.

Rob Davidson

Erroll Garner, the irrepressibly ebullient pianist, left an influence that runs deep but often diffuse: it isn't often that you hear someone who sounds just like him, but there's an awful lot of him in the language. Consider an exchange at our recent Yamaha Salon Concert between Kenny Werner and Andy Milne — a pair of super-literate, restlessly imaginative pianists, a generation apart. Their performance conjured Garner in spirit, without resorting to imitative devices, and set a high bar for responsive duologue.

Last Thursday, on what would have been Erroll Garner's 94th birthday, WBGO held a Yamaha Salon Concert in midtown Manhattan, with a handful of superb pianists paying their respects. Among them was Christian Sands, who offered a solo medley with crystalline touch and bounding stride rhythm.

Then, following a brief exchange with Michael Bourne, he played a buoyant "Night and Day" with the evening's house rhythm team, bassist Ben Allison and drummer Allan Mednard.