Deep Dive

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Thelonious Monk and Dizzy Gillespie were both born a century ago, in 1917. In their honor, here’s a heap of information about “‘Round Midnight,” a bedrock jazz standard whose evolution reflects their mutual regard.

Chuck Stewart / Courtesy of the Smithsonian's National Museum of American History

The previous installment of Deep Dive with Lewis Porter concerned the sources that John Coltrane used to create one of his most famous works, “Impressions.” Here is a two-part coda: a final reflection on the bridge of that piece, and another on Coltrane’s composition “Big Nick.”

John Coltrane
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John Coltrane, the revered saxophonist and composer, would be turning 91 this week. This year also marks the 50th anniversary of his death, at the age of 40.

Had he lived, he might have been astonished to witness how the power and impact of his musical legacy continues to grow. This year, a documentary film by John Scheinfeld, Chasing Trane, has been screening worldwide to considerable acclaim. (Full disclosure: I appear in the film several times.) And just this month, a beautiful mural of Coltrane was unveiled in North Philadelphia, near his childhood home.

Bill May

Dr. Lewis Porter has been busy since penning the biography John Coltrane:  His Life and Music.  Porter, an author, musician, and educator is bringing his extensive knowledge and insight to a new project. 

“What I have are a number of short lessons about individual jazz performers, certain jazz techniques, the origins of be-bop is one of them.”

The first “Deep Dive with Lewis Porter” takes a look at pianist Art Tatum.

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Few figures in jazz loom as large as Art Tatum. Plug his name into any search engine and you’ll find page after page calling him “one of the greatest jazz pianists of all time,” or “one of the greatest technical virtuosos in jazz,” or something to that effect.