Cannes Film Festival

NEON

2017 was, all in all, a good year for movies. The quest for the perfect too often drives out the arrival of the merely wonderful and good in parts. We’ve been hectored by the self-esteem tyrants that we are sublime creatures who deserve only the very best every second of the 24-hour day — in food, clothes, cars, beds, books (whatever they were), TV, and seats at spectacles, music, and movies. The demand for perfect self-offerings prevents us from appreciating what is merely wonderful and good in parts. We short change ourselves that way, particularly when it comes to film.

Bethany Jacobson

If you’re into New York City settings, mixed with the happenings of a struggling uptown neurotic, bedded to an original jazz score, then Hotel Bleu is a short flick for you.  It’s film maker Bethany Jacobson’s first dive into a full on writer, producer, director role.

“New York can be so many things in cinema.  It’s a challenge to make it something that we haven’t seen before in terms of the feeling of it.  I think I wanted through these characters to show a little bit of the feeling of the old and the new mixed together,” Jacobson told WBGO.