The Checkout

Saturday, 12am - 1am

Hosted by Simon Rentner

Music and interviews featuring cutting edge artists from around the world. Including "Check This Out", which showcases new releases of jazz and related music.

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Click here for full show archives

John Rogers

Henry Threadgill, the Pulitzer Prize-winning composer, bandleader, saxophonist and flutist, has not exactly settled into the calm of late-career eminence. At 74, he’s nearly as productive as he has ever been — and every ounce the visionary, judging by two albums out today on Pi Recordings.

 


Flying Lotus

Flying Lotus performs at The Festival of Disruption, curated by David Lynch, at Brooklyn Steel on May 19 and 20.

A few years back, The Checkout had the rare opportunity to speak with Flying Lotus, aka Steven Ellison, about his acclaimed album You’re Dead!  In this podcast, the electronic music composer, filmmaker and all-around rabble-rouser delves deep into his jazz roots — and talks about how being the grand nephew of Alice Coltrane and first cousin of Ravi Coltrane has influenced his brilliant, beyond-category sound.

 


Chris Tobin / WBGO

Not many jazz musicians possess a scope as wide as Dave Burrell’s.

A pianist who first emerged during the late 1960s, in wild-and-woolly ensembles led by saxophonists Pharoah Sanders and Archie Shepp, he also has a firm grasp on the stride language of James P. Johnson and Fats Waller. His body of work as a composer includes operatic and chamber works — but he remains a fearless paragon of free improvisation, with peers like bassist William Parker and saxophonist David Murray.


Ben Stechschulte

Taylor Haskins admits he might be kind of cyborg. The trumpet player contracted a cyber-bug of sorts when he first discovered the music of Herbie Hancock. The dancing robots in the music video for "Rockit" haunted him for decades, until Haskins finally decided to put down his brass and plug in a rare wind instrument known as the EVI (Electronic Valve Instrument).

 


Jazz super bands don’t come together all that often — so when an ensemble like Aziza forms, take notice. Chris Potter, who joins us here on The Checkout, was the one who first brought together the formidable talents of bassist Dave Holland, guitarist Lionel Loueke, and drummer Eric Harland.


Jean-Pierre Leloir

The guitarist Grant Green may have left us nearly 40 years ago, but his influence is still being felt today — and not only in jazz circles.

 

On this Record Store Day episode of The Checkout, we talk to Zev Feldman of Resonance Records about the new archival releases Grant Green: Funk In France from Paris to Antibes (1969 - 1970) and Grant Green: Slick! Live at Oil Can Harry’s.


We know New Orleans is a top destination for those seeking to understand the roots of jazz. But there’s another American city you should consider for a pilgrimage, to pay homage not only to jazz, but also the blues. That’s Clarksdale, Mississippi.


Jacob Hand

 

Rising musician Caroline Davis may have a Ph.D. in matters of brain function (the cognitive science of music, to be precise) but her new album, Heart Tonic, focuses on another crucial part of the human anatomy.

Davis is an alto saxophonist with a cosmopolitan upbringing: born in Singapore to a Swedish mother and a British father; raised in the American south, mainly Texas; schooled in Chicago, where she earned her advanced degrees and connected with a thriving scene; and based for the last five years in New York City.

Peter Gannushkin / downtownmusic.net

It’s taken decades for Jason Moran to understand the artistry of Cecil Taylor, the brilliant American pianist who left us last Thursday, on April 5. A few years ago, The Checkout visited Moran’s New York studio to celebrate the visionary iconoclastic artist, just before paying homage at Harlem Stage.

 

On this very special Checkout podcast, Moran reflects on his hero in conversation, then honors him in performance. 

Courtesy of the artist

Samora Pinderhughes is the embodiment of a modern musician. A pianist and composer who dwells heavily in the jazz tradition, he also seeks out other forms of expression, most recently as a singer-songwriter.

 


Courtesy of the artist

What should jazz sound like in 2018? Keith Witty has some ideas. He's the bassist and co-leader of Thiefs, a band that blends hip-hop, electronic music and politically pointed spoken word.


Yannick Perrin

If jazz is all about fluidity — in terms of cultural exchange, and convergences of style — that's a situation well suited to the Cuban artist Omar Sosa. His most recent Zen-like album even bears an aquaeous title, Transparent Water


Courtesy of the artist

Hailey Niswanger has appeared in the Downbeat Critics Poll for five consecutive years as a rising star on alto and soprano saxophone. But this Brooklyn-based artist, now 28, says she still has plenty of room to grow.


Adama Jollah

One of the artists who left a mark at this year's Winter Jazzfest was newcomer Nubya Garcia. Get to know the firebrand saxophonist from the United Kingdom in another edition of My Music, on The Checkout.


Courtesy of the artist

Allison Miller has held down the pulse for respected artists across multiple genres, including the indie-folk dynamo Ani DeFranco and the soul-jazz legend Dr. Lonnie Smith. Her latest album, Otis Was A Polar Bear, nods to a few other factors informing her bright, inviting sound — from scuba diving to modern art to recent motherhood.

 


Anna Webber

On another edition of My Music, Cuban pianist Alfredo Rodríguez tells his extraordinary story of crossing the border from Mexico to the United States to find Quincy Jones.


Isaiah McClain

Jazz has a handful of reigning families — the Clayton, Marsalis, and Eubanks clans among them — but until recently you'd be forgiven for overlooking the McFerrins. The emergence of Madison McFerrin, an inspired singer-songwriter from Brooklyn, underscores the talent in this new musical dynasty.


Qwest TV / Photo illustration by Sarah Geledi

What to make of Quincy Jones's new video music service?

Keith Major

Gerald Clayton's recent recording Tributary Tales isn't an album of tributes, but rather one inspired by rivers. The metaphor also works for this pianist in the natural flow of his life: the way he streams from one musical situation to another, whether it's with saxophonist Charles Lloyd, guitarist John Scofield or his own ensemble.


Yusaku Aoki

Before the influential broadcaster and tastemaker Gilles Peterson was breaking talent on the BBC, he was climbing rooftops as a radio pirate, championing great black music. Now he’s the industry standard in creating diverse playlists that explode musical boundaries.


Giulietta Verdon-Roe

There's a lot of buzz in Europe about Yazz Ahmed. The Bahrain-born, British-based artist says she discovered her voice on trumpet and flugelhorn by stumbling on a Rabih Abou-Khalil recording featuring Kenny Wheeler. On this edition of My Music on The Checkout, she tells her fascinating story behind her own Arabic-jazz recording "La Saboteuse."


Scott Friedlander

Listen to drummer and composer John Hollenbeck reflect on 20 years of his Large Ensemble with his new album, All Can Work, on New Amsterdam Records. The band celebrates the album's release tonight at Le Possion Rouge.


Stella K

It's a bit dizzying keeping up with Michael League of Snarky Puppy and GroundUP Music. He's perpetually on the road, dropping new music videos, signing new artists, and making new connections. But he carved out some time to tell us about a few artists we should be checking out.


Ignatius Mokone

The trumpeter, scholar and freedom fighter Hugh Masekela died this morning in Johannesburg, at 78. The Checkout has periodically checked in over the years with this South African jazz master — though he'd be the first to say that he wasn’t a jazz artist, nor is jazz an American art form.


WBGO

Michael Mwenso has led high-profile residencies and amassed an ardent following, becoming a staple of the New York City jazz scene. But he has no recordings to speak of — something The Checkout is here to remedy with “Songs of Empowerment and Uplift,” a suite captured live in concert.


Shervin Lainez

Mark Guiliana’s trademark isn’t limited to one style, but rather accentuated across a broad spectrum of modern sounds, from Brad Mehldau to David Bowie. His most recent album, Jersey (Motéma), is an acoustic jazz effort that honors his roots in the Garden State. ​He recently brought his drums to our studio in Newark to demonstrate his evolution in rhythm, from one beat to the next.


Kiel Scott

This year supplied no shortage of notable and often inspiring music — sounds that flirt in and outside jazz. Here are a few you should listen to.


Cem Kurosman

What defined the conversation around jazz this year? There’s no simple answer to that question, but trying is always a worthwhile struggle ­— especially in the company of my fellow jazz critics, who devote most of their waking hours to the subject.

Just two and half years ago, Stephen Bruner — the artist otherwise known as Thundercat — said he never thought his voice would ever overshadow his virtuoso six-string bass guitar playing. Then came Drunk, the standout album he released this year, which put his vocals and songwriting at the center of the frame. 


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