Nate Chinen

Director of Editorial Content

Nate Chinen joined WBGO as the Director of Editorial Content at the start of 2017. In addition to overseeing a range of coverage at WBGO.org, he works closely with programs including Jazz Night in America and The Checkout, and contributes to a range of jazz programming on NPR.

Before joining the WBGO team. Chinen spent nearly a dozen years as a jazz and pop critic for the New York Times. He also wrote a long-running monthly column and assorted features for JazzTimes. He is a ten-time winner of the Helen Dance-Robert Palmer Award for Excellence in Writing, presented by the Jazz Journalists Association. The same organization presented him with its award for Best Book About Jazz, for his work on Myself Among Others, the autobiography of impresario George Wein.

Chinen was born in Honolulu, to a musical family: his parents were popular nightclub entertainers, and he grew up around the local Musicians Union. He went to college on the east coast and began writing about jazz in 1996, at the Philadelphia City Paper. His byline has also appeared in a range of national music publications, including DownBeat, Blender and Vibe. For several years he was the jazz critic for Weekend America, a radio program syndicated by American Public Media. And from 2003 to 2005 he covered jazz for the Village Voice.

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Dorothy Darr

Saxophonist and flutist Charles Lloyd has led some rather spectacular bands over the years — from his heralded late-1960s quartet to the Marvels, his current group with guitarist Bill Frisell. Passin’ Thru, due out on Blue Note on July 14, captures the unique intensity of the Charles Lloyd New Quartet, a decade-long proposition with Jason Moran on piano, Reuben Rogers on bass and Eric Harland on drums. 

Peter Gannushkin / DOWNTOWNMUSIC.NET

Experimental music fans have a new festival to look forward to this fall: The October Revolution of Jazz & Contemporary Music will take place in Philadelphia from October 5-8. Presented by Ars Nova Workshop in partnership with FringeArts, it will include Anthony Braxton, the eminent multi-reedist and composer; The Art Ensemble of Chicago, a pioneering group in the postwar avant-garde; and Claire Chase, flutist and founder of the International Contemporary Ensemble.  

Pianist and composer Gerald Clayton has been on the road in recent weeks, touring behind his accomplished new album, Tributary Tales. Tonight he begins a weeklong engagement at the Village Vanguard, with a trio. He led a slightly bigger crew when he played WBGO's Yamaha Salon Concert Series, at which this new video — for a moseying, Monkish ballad called "Wakeful" — was filmed.

Bernhard Ley

Mickey Roker, a soulful and deeply propulsive drummer who carried a torch for literate hard-bop in the decades after its commercial peak, died on Monday in Philadelphia, where he was a local jazz institution. He was 84.

His death was confirmed by his daughter, Debra Roker, who cited natural causes but noted that he had lung cancer and diabetes, among other health issues.

The essence of jazz is improvisation, it's often said. But there should also be a special clause for collaboration or communion — the magic that can happen when two or more are gathered to a creative end. Take Five celebrates that ideal this week, with results all over the stylistic map. Start with a fresh take on a tricky bebop head, and keep it moving.

The low end has always been terra firma for Buster Williams, one of the all-time great bassists in modern jazz.

Sri Hari Moss

For those who know harpist and keyboardist Alice Coltrane as a recording artist, notably in a series of albums on the Impulse! label, there's a stretch from the late-1970s to the mid-2000s that might reasonably be described as a hiatus. But this period was joyously full of music — a fact known to her followers but only recently shared with the public in sanctioned form. 

Georgia Nerheim

It’s the middle of May, on the nose. There’s an old tune that begins with that premise, but we’re not going to revisit it here. Instead, Take Five brings you “Whatever Lola Wants,” as performed by Bria Skonberg — along with tracks by two Cohens and a Barber. We’ll also hear from a saxophonist who has been out on tour with Taylor Swift. And now, as he would have it: Onward!

Moses Boyd Exodus ended its performance at the 2017 South by Southwest music festival with a rampaging take on its trademark tune, "Rye Lane Shuffle." Drummer Moses Boyd, the band's young founder and namesake, rumbled freely on his toms, joined by a fervent-sounding Binker Golding on tenor saxophone. The groove that emerged was Nigerian Afrobeat by way of a modern jazz metropolis — one with every resource at hand.

Pierrick Guidou

Earlier this year, trumpeter and composer Ambrose Akinmusire held a weeklong engagement at the Village Vanguard with his excellent working quartet, featuring pianist Sam Harris, bassist Harish Raghavan and drummer Justin Brown. They recorded portions of the gig for what will be a double album.

That album — A Rift in Decorum: Live at the Village Vanguard, due out on Blue Note on June 9 — consists of 14 original compositions across a wide dynamic and expressive range. It opens with a pensive anthem called “Maurice and Michael (sorry I didn’t say hello),” which has a melody full of gulping intervals, over a rhythmic thrum that suggests the insistent tick of a clock, or a swaying metronome.

Mary McCartney

Our latest installment of Take Five draws from several big new releases, including what will likely be a blockbuster, Diana Krall's Turn Up the Quiet. But you should also take note of the other offerings, including a brisk new samba by guitarist Romero Lubambo and a teaser for this week's Village Vanguard debut by the Vijay Iyer Trio.

Beti Niemeyer

Ron Carter, one of the greatest bassists in jazz history, turns 80 today. WBGO is celebrating by playing his music on the air throughout the day, and there's certainly no shortage to choose from. But given that today also happens to be International Star Wars Day, it seems only appropriate to shout out a curio in his discography: Empire Jazz, released in 1980 on the RSO label.

Colorado Symphony

As you probably know if you spend any time online, today, May 4, is International Star Wars Day. It's a celebration rooted in a pun: "May the Fourth be with you." [Wookiee groan]

There hasn't often been a jazz angle to this special date, but one young saxophonist is giving it a shot, by releasing a video for a tune he calls "Dagobah." (If that place name doesn't ring a bell, this story's not for you.)

Steve Mundinger / Thelonious Monk Institute of Jazz

HAVANA, Cuba — Chucho Valdés and Gonzalo Rubalcaba sat at a pair of grand pianos on Sunday night at the Gran Teatro de la Habana Alicia Alonzo, during the sixth annual International Jazz Day Global Concert, and modeled more than one kind of equilateral exchange.

This week in Take Five: two boss tenors, in tracks both old and new. A free-thinking trumpeter with her dynamic debut. A veteran hard-bop drummer revisiting the music that helped make his name. And a track from a hyper-literate band that blends many styles into a seamless fabric. 

Christian Scott aTunde Adjuah, the firebrand trumpeter from New Orleans, doesn't go in for small gestures. His current project is The Centennial Trilogy, a three-album series intended to confront a range of societal issues, especially as they relate to the African-American population. The style of this new work carries a no less ambitious agenda, blending aspects of post-bop, trap and electronics, according to the non-idiomatic designation that Adjuah likes to call "Stretch Music."

Christian Scott aTunde Adjuah, the firebrand trumpeter from New Orleans, doesn't go in for small gestures. His current project is The Centennial Trilogy, a three-album series intended to confront a range of societal issues, especially as they relate to the African-American population. The style of this new work carries a no less ambitious agenda, blending aspects of post-bop, trap and electronics, according to the non-idiomatic designation that Adjuah likes to call "Stretch Music."

Record Store Day, which celebrates its 10th anniversary this year, is a consumer ploy in the guise of a cultural event. Or, depending on your vantage, maybe it's the other way around. Whatever the case, record stores across the country and around the world are happily (or gamely) bracing for impact: Record Store Day 2017 falls this Saturday, April 22, with a wave of exclusive releases, in-store appearances and other retail enticements.

This year's class of NEA Jazz Masters is as accomplished as they come, with Dee Dee Bridgewater on vocals, Dr.

Robert Ashcroft / Courtesy of the Artist

Growing up in the Ironbound District of Newark, New Jersey, Wayne Shorter savored almost nothing more than the suggestion of a daring escape. “When we got our bicycles, we would go down to the marshes, where Newark Airport is now, and ride the bikes a little bit into the soft earth, and in those tall weeds,” he said. “We’d go as far as we can — like, dare each other: 'How far can you go?'”

Keith Major

When pianist Gerald Clayton titled his fine new album Tributary Tales, he had a few different connotations in mind. A tributary is a stream that feeds a river or lake; it's also a gift paid in tribute, or a political state that serves a superior power. Clayton was thinking about his relationship to the jazz lineage, and the ways in which various experiences and influences flow into a larger whole.

Ernest Gregory / courtesy Chick Corea Productions

This week, Take Five is all about duos: from all-star summit meetings, like the one pictured above, to collaborative new partnerships like the Upstate Project, jointly led by singer-songwriter Rebecca Martin and pianist-composer Guillermo Klein. The unifying thread is deep colloquy bound by mutual respect — along with the sheer quality of the music.

It has been a long and eventful road since tenor saxophonist Kamasi Washington released The Epic, his aptly named triple album, in 2015. The rare jazz album to become a pop-culture touchstone, it introduced the world to his close-knit Los Angeles crew, the West Coast Get Down, as well as to his burly, beseeching sound.

Josh Goleman / Courtesy of the artist

For the last 17 years, The Bad Plus has been a model of musical cohesion. Its members — bassist Reid Anderson, pianist Ethan Iverson and drummer David King — have been an indivisible front, welcoming the occasional guest but never a substitute, according to the strictest ideal of a working band. As the saying goes, it has always been larger than the sum of its parts.

 

John Rogers

Take Five this week turns out to be a celebration of working bands — from the Bandwagon, led for more than a dozen years by pianist Jason Moran, to Natural Information Society, which bassist Joshua Abrams established not quite a decade ago. We'll also hear brand-new tracks by the Tomasz Stanko New York Quartet, a new-breed organ trio called Hearing Things, and the agile group led by bassist Linda May Han Oh.

Frank Sinatra Enterprises

Frank Sinatra was well into his Rat Pack era, the reigning American embodiment of masculine suavity and aplomb, when he teamed up with a maestro of Brazilian music to make one of the most exquisitely tender albums of his career. That album, Francis Albert Sinatra & Antonio Carlos Jobim, has lost none of its luster since it was first released 50 years ago. In fact, a newly remastered anniversary edition extracts additional depth from Claus Ogerman’s orchestrations, which frame Sinatra’s voice like a Rolex on a velvet cushion.

Sexmob
courtesy of the artist

Sexmob first came together, just over 20 years ago, as the Downtown Scene version of a bar band: pugnacious and maniacal, insubordinate but astute. The group — Steven Bernstein on slide trumpet, Briggan Krauss on saxophones, Tony Scherr on bass and Kenny Wollesen on drums — could always be found one night a week at the Knitting Factory's Tap Room, putting pop tunes through the wringer for a boisterous crowd.

Carol Friedman

Randy Weston, the powerfully expressive pianist, composer and NEA Jazz Master, turned 91 on Thursday, though he gives the impression of someone at least a decade younger. He’s celebrating his birthday on the bandstand, with a four-night Jazz Standard engagement that draws from an ambitious new double album, The African Nubian Suite.

“When you go to Africa, you become very humble,” Weston told Sheila Anderson in a recent Salon Session at WBGO. “You realize that you are from thousands and thousands of years of civilization, and how much we have to learn from these people.”

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