Michael Bourne

Host, Blues Break and Singers Unlimited, Critic-at-Large

Michael Bourne has been a presence on WBGO since the end of 1984. He's hosted the popular Singers Unlimited, Sundays 10AM-2PM, since 1985. He’s nowadays hosting the Blues Break, Monday-Friday 2-4PM. Michael is also a senior contributor to Down Beat, with the magazine since 1969. Doctor Bourne earned a PhD in Theatre from Indiana University -- which comes in handy when he's a theatre critic for the WBGO Journal.

"I became a jazz jock by chance," says Michael. "I was working on my doctorate in Bloomington. I'd been an occasional guest on the jazz show of IU's NPR station WFIU. When the regular DJ was going on vacation, the program director asked me if I'd like to fill in on the show. That was the summer of 1972 and I'd just survived my doctoral exams. I needed to do something fun, plus they were going to pay me to play records on the radio. I was supposed to fill in for four weeks, but the four weeks is now almost 45 years! I was offered the gig and I stayed until 1984. WFIU was a mostly classical station, but I played everything else, especially jazz, but also blues, Brazilian and Irish music, singers and Broadway musicals."

How he came to New York and WBGO also involved some chance. "I came to New York every summer for theatre and jazz, especially for the George Wein festival. I often stayed with my Indiana school friend Kevin Kline. When I first stayed with him, he was still beginning as an actor. When I came in 1984, he was a bonafide movie star. I also left a tape of my WFIU show with Wylie Rollins, then the program director of WBGO. I'd been thinking about venturing to New York for years, but I didn't know when or how. And on one fateful day in September 1984, Kevin called and said he'd be on location for a while and I could have his apartment for several months if I wanted to come to New York. That very afternoon, Wylie called and offered me work at WBGO. I couldn't resist what seemed a sign that New York was meant to be. My first shift was filling for Rhonda Hamilton on the afternoon of New Year's Eve, 1984."

Bourne's passion for music began early in his hometown of Saint Louis -- but not for jazz. "I was a boy soprano. I wanted to be an opera singer when I grew up. I was crazy for Wagner especially. I eventually eased into Gilbert and Sullivan, then the Broadway shows." Bourne's passion for jazz came about -- again -- by chance. "When I was a junior in high school, my chem lab partner and the kid behind us were always talking about jazz. I remember a very animated argument about whether Miles Davis or Sonny Stitt was hipper. I asked them what was a good jazz record to begin with, and one of them said Dave Brubeck's Time Out. I bought the LP at a grocery store the very next day, and when I heard "Strange Meadowlark" I was addicted to jazz. I bought more records at the grocery store, and soon I was listening to Miles Davis, Oscar Peterson, the Modern Jazz Quartet. I even became a drummer as I fell in love with Art Blakey and Max Roach.” He connected jazz and theatre in 2016 co-creating and performing “The Brubeck Songbook” with singer Hilary Kole and the Brubeck Brothers.

Bourne continued his love for theatre as an undergrad at what is now called Truman State. He came to graduate school at IU in 1967, and while working at WFIU he finished a PhD. in theatre -- but he enjoyed being a jazz jock so much that he stayed on the radio rather than become a professor somewhere. "I always meant to work in the New York theatre as an actor or a playwright or a critic, and when I first came to WBGO, I was also working on two musical theatre projects. Both shows crashed and burned just as they were about to happen, and I didn't want to be an always struggling actor, so my theatrical career became only critical."

Bourne became a frequent contributor to the WBGO Journal early on. Though he mostly reviews theatre, he's also written about movies, art museums, baseball, beer, and his travels (from his favorite park in Oslo to his favorite pub in Dublin). He hosted WBGO's syndicated show, The American Jazz Radio Festival, for five years, and he's hosted or anchored 22 of WBGO's New Year's Eve broadcasts. Michael filled in on countless shifts at all hours until finally settling into the Afternoon Jazz shift. "Ironically, just after I'd come to WBGO, Rhonda Hamilton asked me what I wanted to do at the station, and I remember laughing and saying that I wanted her shift in the afternoons. And now she's on mid-days, and here I am right after Rhonda."

While nonetheless working six shifts each week on Jazz 88, from 2001 to 2006 Michael also jocked on the "Broadway's Best" channel of Sirius Satellite Radio. He's been an active arts and travel journalist, especially for Down Beat. He edited Corsage, a tribute to his favorite mystery author, Rex Stout -- "the most fascinating individual I've ever known," says Michael. He edited the mini-magazine Hennessy Jazz Notes from 1992-1997 . He's written countless album notes, and in 1997 Bourne produced four CD collections of Mark Murphy songs for 32 Jazz.

He's also been a correspondent for the Bon Voyage newsletter. Traveling became his greatest passion after his first trip overseas in 1986. Bourne hosted the Jazz Yatra festival in Bombay. "I was almost 40 and I'd never left the United States. The culture shock was staggering, but I fell in love with the world -- a full-tilt epiphany! -- and I've been traveling ever since. I've always felt most alive when I've been 'elsewhere' -- far from home, far from work, far from myself." Michael also hosted the jazzfest in Amsterdam. "I was the MC for Stephane Grappeli on three continents: Bombay, Amsterdam, and Carnegie Hall." He's been a WBGO travel host on trips to Brazil, Switzerland, Denmark, Norway, Ireland, and the Caribbean. Montreal every summer is Michael's jazz home away from home. "I first went in 1992 and I've been virtually adopted by the festival ever since. In recent years I've not only written about the festival for Down Beat, I've also been a judge for the festival's group competition, and I've broadcast live from Montreal on WBGO." To celebrate his 20th year in Montreal, the festival honored Michael by christening the press room Salle de Presse Michael Bourne. "I only missed the festival in 2006, because of a heart attack — and I was angry, not because of the heart attack, but because I missed Montreal!" Other festival favorites over the years have included Umbria Jazz in Perugia, the NorthSea jazzfest in The Hague, fests in Antwerp, Copenhagen, Berlin, Warsaw, Chicago, and New York. "What's been especially heartening is how often I've encountered Jazz 88 listeners from all around the world. I remember a jazz lover in East Berlin weeping at the thought of a radio station that played jazz 24 hours a day. Since then, the Wall came down, and now everyone can hear us on the internet, including in no-longer-East Berlin" Traveling offers other delights for Bourne beyond the music, including his passion for great paintings, the Dutch masters especially, and for great beers, the Belgian masters especially. "I'm a Nederlander at heart." He'll happily go anytime to Amsterdam, Antwerp, London, Rome, or anywhere in the U.S. where his beloved Cardinals are playing baseball. "Pops" also enjoys hanging with his grand-kids, Nora and Luke, in Chapel Hill.

He's returned to performing in recent years -- that is, for people who can actually see him. He's hosted "Lyrics and Lyricists" concerts at the 92nd Street Y. He's been a host and the musical director for the "Jazz on the Mountain" festival every January (since 2000) at the Mohonk Mountain House in the Hudson Valley -- where he's frequently performed what he sometimes calls "jazz acting" with drummer Michael Carvin, singer Hilary Kole, and in the "Parlor Games" musical criss-crossing that's a festival finale on Monday mornings. He co-wrote and directed the show Singing Astaire, a celebration of the Fred Astaire songbook at Birdland. And after more than 20 years, he's nonetheless "with you" on WBGO.

"A listener said to me that she read that I used to be an actor, and she asked me 'Do you ever act anymore?' And I said 'Every day on Jazz 88!’” The Daily News asked Michael when he turned 65 if he'd ever retire. "I said 'From what?' I get paid to play records and go to shows!” He turned 70 in 2016 and nonetheless plays on on 88.3FM and wbgo.org …

Ways to Connect

Tony Awards
Michael Bourne for WBGO

The Tony Awards will be presented on Sunday.  WBGO Theater Critic Michael Bourne gives us an idea of what we can expect.

Click above to hear Michael's thoughts.

Come From Away
comefromaway.com

Theater critic Michael Bourne selects this season's best musicals. 

Click above to hear Michael's picks.

Broadway
Michael Bourne for WBGO

 

It’s time for the theater awards. Theater critic Michael Bourne looks at the nominees for Best New Play on Broadway.

Click above to hear his choices.

Coco Montoya's latest album, Hard Truth, covers a variety of emotions. From songs about gambling and drinking to warnings about how "The Devil Don't Sleep," it contains the kind of direct storytelling the blues is famous for.

Listen to Montoya with host Michael Bourne on the Blues Break, where he talks about this new album, upcoming performances, and the inspirations behind his music.

Anastasia
Michael Bourne for WBGO

WBGO Theater Critic Michael Bourne reviews Anastasia and has some thoughts on the Tony Award nominations.

The Public Theater
The Public Theater

This season on Broadway has been, to say the least, active. Same for off-Broadway, says WBGO Theater Critic Michael Bourne, especially downtown on Lafayette Street.

Janis Siegel of the Manhattan Transfer is one of the most versatile singers in jazz and song. She can sing (always delightfully) vocalese, standards, gospel, doo-wop, a kaleidoscope of “pop” songs, bossa novas, and then some. Requinte Trio is a new group she’s been working with recently, featuring pianist John DiMartino and guitarist and vocalist Nanny Asiss.

Miss Saigon
Michael Bourne for WBGO

WBGO's Theater Critic Michael Bourne reviews the new musical Amelie, musical revival Miss Saigon and play revival The Price.

Lynne Harty

Singer and composer Theo Bleckmann shapes his voice into an array of subtle orchestral colors. In this visit to Singers Unlimited, he talks with Michael Bourne about his new album, Elegy, as well as his work for the stage and collaborations with a jazz mentor, Sheila Jordan.


Hear Judy Niemack and pianist Dan Tepfer as they stop by Singers Unlimited to chat with Michael Bourne about their new album, Listening to You. They'll also share a few tunes live in our studio — including an impromptu take on a standard.  

Shakespeare, Robert Johnson, Freddie Mercury, and David Crosby are just a few of the names that pop up in this lively conversation with Becca Stevens, as she shares songs from her latest album, Regina, live in our studio on Singers Unlimited.


 

Rob Paparozzi is a virtuoso of the harmonica, and played a box full of harps — different sizes, different keys — when he came to WBGO for a talk on Michael Bourne’s Blues Break. He’ll be the featured soloist on May 11 when the New York Philharmonic performs Henry Mancini’s score to Breakfast at Tiffany’s, along with a screening of the film.

 

Paparozzi recently played in the City Center Encores revival of Roger Miller’s musical Big River: Big River: The Adventures of Huckleberry Finn. He’s also performing with a reunited Blues Brothers band. 

Coco Montoya is the Sherman Tank of blues guitar.  Powerful. Explosive. Maybe he thunders so much from starting out as a drummer. One of his first gigs was (after a chance encounter) playing drums for blues master Albert Collins. He spent five years on the road with Collins, who taught him to be a guitarist.

Barbara Carroll was definitive. As an elegant pianist. As a sophisticated singer. As a beautiful lady. And like another great Lady, her good friend Billie Holiday, Barbara Carroll was down-to-earth and always swinging.

Elvin Bishop called his first Alligator album Big Fun.  Aptly-titled. He’s always having fun. And his newest Alligator album continues in the same spirit, Elvin Bishop’s Big Fun Trio. He was having so much fun jamming with a couple of friends, guitarist/pianist Bob Welch and percussionist/singer Willy Jordan, that they became a band.

What they sing is harder than it sounds. Much harder. And always swinging. When the three singers of Duchess — Amy Cervini, Melissa Stylianou, Hilary Gardner — sing in the style and spirit of the Boswell Sisters, the harmonizing trio from New Orleans, popular especially on the radio in the 30’s, they articulate each note of the melody, each word of the lyric, often almost supersonically. Really, really, really fast! And in perfect harmony! And having a helluva lotta fun!

Lady Gaga and Tony Bennett
Steven Klein

Singers Tony Bennett and Lady Gaga talk with Michael Bourne about their friendship and "Cheek To Cheek," their new duet album of jazz standards by George Gershwin, Cole Porter, Irving Berlin and others. Bourne's interview with Bennett and Gaga is also the cover story of the November issue of Downbeat magazine, which will be available on newsstands Oct. 21, 2014.

This story first published October 6, 2014.

I've lost count of all the times I've enjoyed concerts of Tony Bennett, but he's always best in Montreal: he's often said he appreciates how greatly the festival treats artists. 

And not only the artistry of Tony Bennett the singer - also the artistry of Anthony Benedetto, the painter. Spectra, producers of the Montreal jazzfest, presented last year a gallery showing of Tony's paintings. They also offer in, the festival's artshop, lithographs of Tony's portrait of Louis Armstrong. 

Three women from Sing The Truth! -- Angelique Kidjo, Lizz Wright, and Geri Allen -- visited our studio to talk about their performance at NJPAC. Michael Bourne said it was one of the best live radio experiences he's ever had at WBGO.

Originally published June 16, 2011.

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